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New batman
New batman







new batman
  1. #NEW BATMAN MOVIE#
  2. #NEW BATMAN SERIAL#
  3. #NEW BATMAN TV#
  4. #NEW BATMAN CRACK#

Nolan briefly alludes to Batman’s privilege in The Dark Knight with a telling crack about a Batman imitator wearing “hockey pads” instead of Kevlar. Unlike all the other abandoned children in Gotham, Bruce Wayne was raised by a loving butler in a mansion.

new batman

For instance, Gotham is littered with orphans, including Selina Kyle (Zoë Kravitz), also known as Catwoman. And Reeves seems much more interested in the systemic issues that created Gotham’s many villains than his predecessors ever were. “I wanted him to be human and flailing and struggling.”Įvery character in Reeves’ film has a backstory, usually a tragic one. He masters himself, and then dedicates himself to this mission,” says Reeves. He loses his parents in this violent way. His decision to strike fear into his enemies by dressing up as a bat, may, in fact, be inspiring villains to don masks of their own and terrorize the public. His Batman is also not as confident: early in the film, Bruce admits he’s been patrolling the streets of Gotham for two years to keep the city safe, and if anything, crime has gotten worse, not better. And Reeves spares viewers another scene of Bruce’s parents’ death, instead alluding to a tragic past through his mournful glances at rich boys toddling around Gotham. When he is obliged to leave his manse without a mask, the erstwhile Twilight star sulks beneath his bangs. This Bruce has no playboy alter ego and would prefer to stay home and journal. Reeves asks Pattinson to play to his own strengths. The film cracks only a few jokes, mostly at Batman’s expense.Ĭhristian Bale excelled at playing Batman’s two sides: the charming, if smarmy, Bruce Wayne (harkening to his American Psycho days) and the brooding bat.

#NEW BATMAN MOVIE#

This moody, atmospheric movie is uninterested in Batman’s gadgets, and the car-chase scene, while terrific, is purposefully grounded: the Batmobile weaves down a crowded highway, rather than taking flight. But Reeves distinguishes his vision from what came before. Inevitably, critics will compare The Batman to Nolan’s films. briefly strayed from the Nolan playbook by hiring Marvel Studios veteran Joss Whedon to punch up the dialogue in Justice League, The Batman swings back toward grit. It was Nolan who set the stage for nearly two decades of dark DC Comics films, drawing heavily from somber comic books with story lines about psychological torture. Tim Burton’s film adaptations were dark, but not grim.

#NEW BATMAN TV#

Pattinson is our eighth live-action Batman on the silver screen, and a far cry from the whiz-bang-pow TV version from the 1960s. “I wanted to create a movie with shades of gray.” Superhero movies “can be a reductive, iconic genre,” he says. And in The Batman, Reeves empathizes with his villain and criticizes his hero. Reeves, whose previous work includes the monster movie Cloverfield and installments in the Planet of the Apes franchise, aims to bring a humanist perspective to genre filmmaking. “The film is more terrifying because of its contact with reality.” “The far-out parts of internet culture, I found that scary,” says Dano. Unlike Batman, he’s willing to kill, and-no less frightening-has leveraged social media to amass a violent, fringe following. Like Batman, he targets Gotham’s corrupt politicians and gangsters. Dano’s Riddler hides behind an army-green mask and leaves puzzles for the Caped Crusader on mutilated corpses. Played by Paul Dano, he’s a far cry from Jim Carrey’s green-suited slapstick character from 1995’s Batman Forever.

#NEW BATMAN SERIAL#

Batman is hunting a serial killer called the Riddler. Reeves’ new film is cloaked in realism and a moral muddiness that echoes thrillers like Se7en and neo-noirs like Chinatown. In superhero films, the line between good and evil is usually bright. That’s an apt, if grim, observation at a time when a pandemic, increased anxiety about global warming, and a war in Europe have contributed to a pervasive sense of doom. Reeves’ version knows a bright future is not possible.

new batman

Christopher Nolan’s Dark Knight trilogy told the story of a superhero desperate to help his city eradicate corruption so that it would no longer need someone to watch over it. Though Reeves started working on the script with Peter Craig in 2017, it manages to capture our current feelings of despair and isolation-a sign that the discontent that permeates the movie has been brewing for a while. The Batman, starring Robert Pattinson, isn’t exactly a horror film, but it revels in discomfiting its audience. And then you see it’s having a toxic effect. “You go to a Batman movie to see that moment. “I wanted to play on this idea that Batman is going to unleash on these guys, and there’s a part of you that can’t wait to see it,” says director Matt Reeves, whose superhero reboot hits theaters March 4.









New batman